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The Red Lily

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Work in Progress

  1. Gentile Studies: Three Essays on Gentile da Fabriano Pictor.
    a. Gentile da Fabriano's Strozzi Altarpiece: Patristic and Liturgical Sources.
    b. Social Iconographies of the Frick Madonna and Child with Saints.
    c. Hymns and Floral Meadows. Gentile da Fabriano's Madonna of Humility/Nativity in the J. Paul Getty Museum.
    d.
    Gentile and the Journey of the Magi by Giovanni da Modena.
     

  2. Cosimo and the Abbot: Designs of the Medici Palace and Its Chapel and the Badia da Fiesole.

  3. The Red Lily (a screenplay, second edition)

  4. Trinity, Wisemen, and Golden Age: An Iconographical and Architectural Analysis on the Medici Palace and its Private Chapel.

  5. The Long Walk to Whééldi (a novelized docudrama about the great round-up of the Dineh in the 1860's and their imprisonment on the Plano estacado, New Mexico)

 

 
   
 

Selected Publications by Darrell D. Davisson, Ph.D.

Art After the Bomb: iconographies of trauma in Late Modern Art.  Unpublished manuscript, © 2007

The Red Lily  A screenplay on the history of the early Italian Renaissance.  Bloomington, IN: AuthorHouse, 2006

"Magian ars medica: Liturgical Devices and Eastern Influences in the Medici Palace Chapel," Studies in Iconography,  22 (2001): 111-162.  Ann Arbor/Boston: Medieval Institute of America, 2001.

The Long Walk to Whééldi.  A 200-minute screenplay for a TV series.  Registered: Writers Guild of America West, © 1994.

Russian Icons and the Collection of the Timken Museum of Art.  Pre-mastered an interactive       CD-ROM IMAGO™, San Diego: Timken Museum of Art, © 1993.

"The Coyoteway. Fabled animal leads Navajo homeward," New Mexico Magazine (Aug. 1990): 110-115.

IMAGO, The Electronic Slide Table: © 1990.

"A Look at Some Forthcoming Resources in Optical Disc Storage," Bulletin of the Visual Resources Association of America (1986).

"New Documents on Gentile da Fabriano's residence in Florence, 1420-22," Burlington Magazine, No. 932 (November 1980): 759-763.           

"The Iconology of the S. Trinità Sacristy, 1418-1435: A Study of the Private and Public Functions of Religious Art in the Early Quattrocento," The Art Bulletin, 57/3 (September 1975): 315-334.

"Optical and Historical Distance: An Observation of Renaissance Concepts of Reality," The Colorado College Studies 9 (April 1967): 5-22.

Benvenuto di Giovanni Girolamo di Benvenuto. Their Altarpieces in the J. Paul Getty Museum and a summary catalogue of their paintings in America.  Principle author, Burton B. Fredericksen. Malibu: J. Paul Getty Museum, 1965.

Medieval Italy, An Encyclopedia, Christopher Kleinhenz, ed. 2 vols. New York, London: Routledge, 2004. "Albertus Magnus," I, 12-13; "Ascoli-Piceno," I, 69-70; "Aviary," I, 82-83; "Bestiaries," I, 117-118; "Botany and Botanical Lore," I, 154-155; "Faenza," I, 328-329; "Forli," I, 361-362; "Fossanova," I, 362; "Grottaferrata," I, 463-465; "Gubbio," I, 466-468; "Physiologus," II, 890-892; "Reliquaries," II, 955-957; "Vanni, Andrea," II, 1118-1119; "Vanni, Lippo," II, 1119.

 

 
 

Copyright © 2001-2007 - D.D. Davisson, All Rights Reserved

 
   

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